Tuesday, December 21, 2010

"Dead On Arrival" sneak peek...

HERE IT IS, FOLKS. Your first look at the soon-to-be-released Yellow #2, "Dead On Arrival."

The story will pick up right where #1 left off, of course, but really I don't want to say too much else about it because there are still a few people out there who haven't had a chance to read it yet.

I'm certainly proud of how it's come together, and can't wait to share it with you. Zeu did some great artwork and really captured some amazing moments that I think will both surprise and delight you.

And then before you know it, we'll be ready for issue #3 (for now, titled "Feels Like the First Time"). And if DOA takes things up a notch, FLtFT really kickes things into overdrive storywise.

I hope you all enjoy the tale I'm spinning and keep checking back here for more updates. Don't forget you can also find me on Twitter and Facebook.

Sunday, December 5, 2010

Thank you to everyone who came out and saw me at Rock and Comic-Con Saturday night. In case you couldn't tell by the dumb smile on my face, it was a great time. I sold a few books and gave away a few tattoos. (Send pics if you got 'em!) I even had someone come in with my book already in-hand and ask me to sign it. They bought it at B-Bop Comics on Barry Road and brought it specifically to have me sign. How awesomely sweet is that!

Got to hang out with my comics buddy Mike Sullivan (Tales of the Infinite), as well as make some new buddies in Jai Nitz (TRON: Betrayal) and Harold Sipe (Screamland).

As usual, I spent more than I earned but I kept it at a reasonable amount. Picked up a few books from the aforementioned Sullivan, Nitz, and Sipe. (That sounds like a shady law firm if ever I heard it.) I also got an old Little Big Book from Missouri Comics, up from Springfield. And a paper robot toy battle...thingy...from Matt Hawkins of Custom Paper Toys.

And if this photo Mike took is to be believed, I even got a little bit of work done in the middle of it all. (Note: Don't believe this photo.)


Tuesday, November 23, 2010

Store update

You can now purchase books and shirts via the store page thanks to the nifty, if not a bit awkward, "add to cart" buttons. When you click it, a new window will open that takes you to Paypal.

Monday, November 22, 2010

Step by step, day by day...

Oh, great. Now I'm going to have that theme song stuck in my head all day.

In other news, progress on Issue #2 is coming along nicely. I should have the pencils back from Zeu by this weekend. Work on the cover should be underway by then, as well. (I hope to have the cover ready by Dec 4th, so I can preview it for anyone who comes to see me at Rock and Comic Con.)

In the meantime, does anyone have a better theme song to insert into my brain? Something less...Alan Thickey?

Friday, November 19, 2010

Issue #2 Update

Script for Issue the Second is DONE. It's entitled "Dead-On Arrival."

Are there more pages? Yes.

Is there more humor? Yes!

Are there more ZOMBIES? Yes, yes, a thousand times YES!

The 20-page follow-up to the newest zombie-themed starcrossed lovers comic book hits stands in January. Stay tuned...

Monday, November 15, 2010

Correction...


You know, sometimes when you're trying to get something done under a deadline little things tend to slip through the cracks. I have to issue a minor correction for 'Auld Lang Zombie' for just that reason.

On the second to last page, Mayor Bright tells Simon "Tomorrow is Friday..." This is a lie. Tomorrow is not Friday. Tomorrow has never been Friday. (That's ironic, considering that right now I have an ongoing philosophy of mentally making every day Friday, but never mind...)


The point is, that line was just thoughtless on my part. It should say "Tomorrow is Wednesday," but to be honest in future printings I'll probably just nix that line altogether.


I know it's a minor thing for most readers, but the timeline of this story is rather important, at least to me, and that's just the kind of continuity error that would bug the heck out of me. And ya'll deserve better!

Wednesday, November 10, 2010

Where to buy?

Good news everyone: Now if you want a copy of Yellow you don't have to know me personally, or follow me home from work and pretend like you're a delivery person and ask to use my phone because your truck broke down just to get inside my house and then steal a copy.

You can just head over to Clint's Comics at 39th & Main, or across the street to B-Bop. They both carry the books. (If you buy it from that B-Bop location you should find a nice freebie inside. You're welcome. And no, it doesn't wash off easily.)

For my fans north of the river, you can drop in at B-Bop near I-29 and Barry Road to grab your copy. (Sorry, no freebies there, unless you count the free conversation with a couple of cool guys behind the counter.)

More locations will hopefully be on the map soon. I'll keep you posted, of course.

Until then, remember to aim for the head.

Monday, November 8, 2010

The story continues...

Attention new and old Yellow fans alike: Here's my big announcement.

Thanks to the overwhelming positive feedback I've gotten so far, not to mention the death threats from people demanding a follow-up, I'm pround to announce that issue #2 will be dropping sometime in early January of next year.

That's not as far off as it sounds, trust me.

The issue doesn't have a title yet. I'll update you when that changes.

Thanks for reading!

A Big, Fat Helping of Thank You

Friday's debut party was an overwhelming success. I can't believe the number of people that turned out. I sold a good amount of comics and everyone seemed to have a great time.

I have to thank a few people for making it a possibility:

- The Straight Ups, Kansas City's awesomest, rockingest, face-melting-est rock band. If you missed their fantastic show Friday night, be sure to check them out this coming Friday at the Brick!

- The Dead Girl Derby, the area's hottest new league of fast-moving, hard-hitting dames. Get more info on their Facebook page; and if you're interested in helping out, either on skates or off, drop a comment or send a message. They're having a recruit night November 16th!

- Jeff Mullikin, owner of one3studios, the amazing venue that hosted the party. Jeff is a terrific, friendly, easy-going guy who also happens to be an excellent photographer. You can check out his work on his website.

- Takes the Cake Bakery, provider of the delicious cupcakes mentioned in the "cupcakes & braaains" of the party's title. If you didn't arrive early enough to grab one -- and they went fast -- keep your eyes and ears peeled for her next appearance. You can find her online at TakesTheCakeKC.com.

- DJ Kreations, otherwise known as Kenneth "KC" Hamm, who spun some fantastic tunes all night long. Punctual, professional, and pretty damn sexy, I would recommend Mr. Kreations to all my friends. He doesn't just do kick-ass comic book debut parties; get in touch with him for your next Wedding, too!

- Everyone else: So many other people came through for me that night. Too many to even list. But they know who they are, and hopefully they know how much their help was appreciated. It truly couldn't have happened how it did without everyone's assistance. I only wish I could've experienced it all from in front of the merchandise table instead of behind it!

Speaking of merchandise, if any of you have breezed through your copy of Yellow #1, "Auld Lang Zombie," and are looking forward to the next installment... stay tuned. I've been asked a lot since Friday night about when the next issue drops, and I'm going to make a post about that shortly. I promise. I'd like to first get in touch with my artists and let them know how much everyone liked their work...and then drop the bombshell that they need to start getting ramped up for #2.

Follow me on Twitter or friend me on Facebook if you want to make sure you get the latest.

Thursday, November 4, 2010

Is this real life?

The books are in! I felt just like George McFly opening his box of books for the first time at the end of Back to the Future. Ok, it was Biff that opened the box. So I felt like Biff and George. But it was all kind of surreal, so I also felt like Marty. So basically I felt like 3/4 of the cast of Back to the Future and now all I want to do is watch Back to the Future.

Anyway, here are the books!


Whoops. Wrong file... Here you go:


Wednesday, November 3, 2010

Coming Through Your TV...

As the release date for Yellow approaches, the debut party is really gathering steam.

I'll be on NBC Action News Midday on Friday (11 a.m. on your NBC station) to talk about the book and the party.

I hope you are all able to stop by. I should have plenty of books for sale in case anyone wants multiples (I've heard tell that's what some people want), plus posters and t-shirts. In fact I just picked up the shirts today and they look terrific. I can't wait to wear mine proudly.

Plus you can grab a temporary tattoo, play some old-skool video games on a custom arcade cabinet, listen to the mellow, face-melting tunes of The Straight Ups and the smooth turntable stylings of DJ Kreations, and of course nosh on a cupcake--or two--from Takes the Cake Bakery's mobile cupcakery. (Wow, that was fun to say...)

And when you're plenty liquored up--Oh, did I mention there will be a cash bar hosted by Grinders, too?--and you're ready for a nice relaxing cruise around the Crossroads district, just step outside and grab a TricycleTransit pedicab. (You know, three wheels, a pedal-pusher and a big seat for you and your squeeze?) They'll be making their own debut Friday and touring all over the district so you can hop on and take one for a spin.

Tuesday, October 26, 2010

Friday, October 15, 2010

Come for the comic, stay for the cupcakes.


KANSAS CITY, Missouri — Save the date for cupcakes & braaains!

Friday, November 5th, 2010, you’re invited to 419 E. 18th Street in the Crossroads District (next to Grinders) to celebrate First Friday and the launch of a new comic book, Yellow. (“Just another post-zompocalyptic comedy adventure love story.”)

Come on down from 6 p.m. to 11 p.m. to pick up a special, full-color, fully-awesome preview edition of the first issue, “Auld Lang Zombie.”

Unless you’re undead, you’ll also enjoy the live music (KC’s own The Straight Ups, hitting the stage at 7:30 and again at 9); libations (cash bar hosted by Grinders); and luxurious cupcakes (Takes the Cake mobile bakery).

There will also be posters, t-shirts, and even free temporary tattoos (just to show the world you still support Zombietowne). We'll even be giving away a movie poster signed by famed horror director Eli Roth, just because.

Best of all, get your picture taken with a real live dead girl. Members of the metro’s newest roller derby league, the Dead Girl Derby, will be hanging out all night.

Limited copies of the original 4-issue run of Yellow as written and drawn by writer Bobby Bierley will also be for sale for anyone into the whole “nostalgia” thing.

(*Guest appearances are subject to change.)

---------------

Yellow tells the story of Quinn Quigley, a lonely high school outcast who falls in love with the most beautiful zombie at Zombietowne, the world’s first zombie zoo. When Quinn takes it upon himself to “rescue” the living dead girl from a life behind bars…well, you’ll just have to read to find out.

Yellow features art by ‘Zeu’ Gouveia, colors by Giuseppe Pica, letters by Ed Brisson, and an amazing cover by Ralph Abou Raad. All based on script by Bobby Bierley.

Thursday, October 14, 2010

****IMPORTANT UPDATE! LOCATION CHANGE****

The official release party for Yellow will no longer be at Scion LAB because of scheduling conflicts. But I'm very happy to say the venue has been very cordial and got us set up just around the corner at 419 E. 18th Street. (Thanks, Kris!)

It doesn't have a cool name, just an address, but it is right smack dab next to Grinders which could be a very good thing for the comic. (If you'll allow me to be candid for a moment: Woohoo!)

Also, the party is no longer locked into ending at the early hour of 10 p.m. I've extended the festivities to go until 11, or even midnight if things are really rockin'.

So bring your dancin' shoes, a healthy amount of spending cash, and head down to 419 E. 18th Street November 5th for CUPCAKES & BRAAAINS!

Friday, October 1, 2010

Getting closer...

This book is going to look great from cover to cover.

Don't believe me? Here's a tiny sample:


Still don't believe me? Come to the release party and find out for yourself. If you don't like it, I'll even buy you a cupcake. A cupcake, you say? That's right.

Check it:


FOR IMMEDIATE RELEASE:

Local Comic Book Tells the Story of Love in a Time of People Who Eat Brains.

KANSAS CITY, Missouri — Save the date for cupcakes & braaains!

Friday, November 5th, 2010, you’re invited to 419 E. 18th Street in the Crossroads District (next to Grinders) to celebrate First Friday and the launch of a new comic book, Yellow. (“Just another post-zompocalyptic comedy adventure love story.”)

Come on down from 6 p.m. to 11 p.m. to pick up a special, full-color, fully-awesome preview edition of the first issue, “Auld Lang Zombie.”

Unless you’re undead, you’ll also enjoy the live music (KC’s own The Straight Ups, hitting the stage at 7:30 and again at 9); libations (cash bar hosted by Grinders); and luxurious cupcakes (Takes the Cake mobile bakery).

There will also be posters, t-shirts, and even free temporary tattoos (just to show the world you still support Zombietowne). We'll even be giving away a movie poster signed by famed horror director Eli Roth, just because.

Best of all, get your picture taken with a real live dead girl. Members of the metro’s newest roller derby league, the Dead Girl Derby, will be hanging out all night.

Limited copies of the original 4-issue run of Yellow as written and drawn by writer Bobby Bierley will also be for sale for anyone into the whole “nostalgia” thing.

(*Guest appearances are subject to change.)

---------------

Yellow tells the story of Quinn Quigley, a lonely high school outcast who falls in love with the most beautiful zombie at Zombietowne, the world’s first zombie zoo. When Quinn takes it upon himself to “rescue” the living dead girl from a life behind bars…well, you’ll just have to read to find out.

Yellow features art by ‘Zeu’ Gouveia, colors by Giuseppe Pica, letters by Ed Brisson, and an amazing cover by Ralph Abou Raad. All based on script by Bobby Bierley.


So, there you go. Be there, or be cupcakeless.

Tuesday, August 31, 2010

A First Look... For Me, Anyways

The Incredible Zeu has sent me the first draft of pencils for the first few pages of Yellow #1.

Awesome.

Not only is he a talented guy, but I can't tell you how amazing it feels to see your words come to life. There are a few things Zeu did that I didn't expect, but like. And several things he did exactly as I pictured it.

Once we get a little closer to a finished product I'll post a page or two, just to whet you're appetite, dear reader. Until then, Zeu and I will continue to work behind the scenes to make this the kick-ass-enest debut comic of 2010.

Speaking of debuts...

Nothing is finalized just yet, but it's looking like the release party is going to be happening in midtown Kansas City at a little venue to TBA. The more important, and exciting news, is that it may very well be happening on First Friday in November. Any of you who don't live in KC might not realize this: That's kind of a big deal.

Hopefully it will vicariously make my comic kind of a big deal.

Invites will be sent out soon.

Monday, August 30, 2010

Movies That Don't Suck

Well, I should be getting my first look at Zeu's pencils soon. While I wait, I thought I'd share nothing important.

I watched Transformers: Revenge of the Fallen this weekend. Took a couple of days. That is one long movie. I started it at around 3:30 in the morning on Sunday. I was wide awake (an unfortunate hazard of working this overnight shift), and it was available for free on HBO. I thought, "Why not? I want to finally see what a turd this movie really is."

After watching it--and actually enjoying it, but more on that in a minute--I reached what I was pretty sure was the beginning of the final act. I was getting pretty sleepy, and it was around 5 a.m. at this point and I figured it might behoove me to actually go to sleep for a little bit. So I decided to check and see just how much of the movie was left, in case it was worth just staying up to finish.

A frickin' hour and a half still left to go.

Wow.

It was at this point that I started to wonder if maybe I had been giving this movie too much credit.

One of my biggest pet peeves with the first one was the terrible pacing. The first third of Transformers was fun, engaging, a little silly, but mostly clipped along nicely. But it was the scene where Sam brings home the Transformers and they have to hide in his backyard that things felt like they hit a brick wall. Specifically when he and his parents stopped the movie in its tracks to have a long, "hilarious" conversation about masturbation. So gratuitous, and completely appropos of nothing (not to sound like too much of a tool). It was like Michael Bay had this great scene his kid had written for a Judd Apatow movie, and he just had to find a place to work it into the script. Well I remember watching the film in the theater and having the very noticeable sensation that the film was completely unraveling right before my eyes.

So when, an hour and ten minutes into Revenge of the Fallen and reaching a point that felt distinctly like the beginning of the end, I found out I wasn't even halfway done...well, my heart sank a bit. Up to that point I had actually been pleasantly surprised by how much I was enjoying the movie.

And as I got ready for bed, I was contemplating why this one actually seemed to be a better movie. There are a few reasons, but one of the ones I kept returning to was: No Jon Turturro! He was a pain in the butt in the first movie, and his presence to me marked the complete breakdown of the whole story. He was just such a ridiculous character, and totally out of place. Good thing he wasn't in the sequel.

Those of you who have seen the movie know what I'm about to say.

I spoke too soon.

I sat down to watch the rest of the movie on Sunday and not three minutes after I hit play, whom did I see fill the screen? Turturro himself, reprising the same silly role from the first film.

However, I must say...he didn't annoy me quite as much. I still think he was unnecessary, but then again much of Revenge of the Fallen was unnecessary. Heck, the whole movie was unnecessary. And yet I think the fact that I didn't find Turturro quite so grating is less a credit to any restrained acting on his part, but actually a byproduct of what made the whole movie, for me, more palatable than the first. That is, the silliness was more evenly distributed throughout.

What didn't work for me in the first one was how it couldn't seem to decide if it was trying to make a goofy subject into something serious, or just trying to add some serious elements to an unabashedly goofy story. It had elements of both, and really it could've been OK, but the inredients just weren't mixed properly. I think with Fallen, they got a lot closer to the correct proportions.

But I'm pleased to say that even after watching the remaining 90 minutes (split up over another two sessions) I still enjoyed the movie on the whole. All the things that people said made the movie terrible, like the shuck-n-jive Autobot twins, I didn't actually mind. So Devastator had testicles? Is that really surprising given we saw a robot pee on a man's head in the first film?

When I think back on Fallen, in fact, I can't really think of that may things I truly had a problem with. Even the relationship between Sam and Michaela, for some reason, felt genuine. In the first movie, it felt like she just couldn't wait to get away from this nerd. By the end, I really expected her to break up with him. And even at the beginning of Fallen, it felt strained. In fact, the very first thing out of her mouth is that she's breaking up with Sam. Of course, she's kidding (or is she?), and the relationship continues. But I think that acknowledging the tenuous nature of the relationship actually served to make it more believable. I kind of found myself rooting for Sam, and hoping that Michaela would give him a chance.

Actually, that reminds me of probably the biggest problem I did have with the movie: the terminator transformer. I think the filmmakers were perhaps trying to bank on last summer's other big film, Terminator Salvation, and they brought in a Terminatrix of their own. (Yes, I know that's a reference to T3, but go with me here.) Since when can Transformers mimic people? And if they can, then why the hell wouldn't they just do that ALL THE TIME? Hello? It seems like if you're trying to infiltrate the human race, hide in plain sight, and gain access to their biggest secrets, a good place to start would be to LOOK LIKE A HUMAN.

When stuff happens in movies and books that seems out of place, unrealstic, or just plain stupid, I often stop and ask myself if it really mattered in the grand scheme. And thankfully, all the stuff with Transformadam didn't really have a big impact on the story.

I still hate the design of the Decepticons. In fact, I hate the way the robots all look in general. Way too over designed. I mean, as much as those things move around, they really should've been made with more simple, large pieces. Like Duplo.

But that's part of where I think the first movie failed, when it was trying to make the Transformers more "realistic." Obviously the way they looked in the cartoon was, well, cartoony. It wouldn't work in real life. But I'm sorry, when you have a fight between robots and you can't tell where one ends and the other begins...or how many there even are in the fight...except by flashes of blue or silver here and there...that's a bad design. But that's something that's never going to change, I suppose. And frankly, that's the same problem that plagues most CG creatures and vehicles these days. But that's a whole other blog post I could write, so I'll stop there.

But my experience watching and enjoying Fallen reminded me that my taste in movies is often counter to popular opinion. I started thinking of all the movies I like that I really have no reason to. Movies that everyone hates but me. And maybe it's the fact that they are so hated that endears me to them, to some degree. Everyone likes to root for the underdog. But there's more to it than that. There's usually an earnestness in movies that everyone hates. There's an honesty in their storytelling, and that's what I appreciate. And I think it's that honesty that turns people off, like a girl who only dates assholes. The average viewer wants a film that hates them, that is doing them a favor by even letting them watch it. They want a movie that smacks them around and says "I'm too good for you!", and then goes out drinking with its friends all night long and doesn't even come back home until the next afternoon with the smell of cheap whiskey and even cheaper perfume on its clothes.

I like the movies that wear their heart on their sleeves. I like the movies that try to impress by just putting it all out there in front and saying "Am I good enough now?", with an added whisper, "I love you."

I like the movies that maybe aren't the best looking movies in the theater. They might not wear the fanciest clothes or play sports. But they will stay up until 3 in the morning with you on the phone just because you've had a bad day. They will drive over to your house to bring you soup when you're not feeling good. And they'll take you to the prom when your big, pretentious movie bails on you at the last minute. They already havea tux and everything.

Movies like:

Super Mario Bros.
Lost in Space
Robot Jox
Mortal Kombat
Batman Forever
Speed Racer
Twister
Jurassic Park
Rocketeer
Josie and the Pussycats
Happy Feet
(more to come)

(And what of art films? Basically the same as the other kind, expect more passive agressive than abusive. They make you feel bad about yourself through words instead actions. They're the intellectual asshole.)

So that's my take on movies. Some of my favorite movies are pretty widely panned. There are some exceptions in that list, of course, namely Jurassic Park and Twister. Hey, sometimes the underdog just gets lucky.

Like Sam and Michaela.

(Wow, I actually managed to bring that full-circle. Well, at least 3/4 circle. That's good enough.)

Friday, August 20, 2010

The New Face(s) of Yellow



Well, the day is come at long last.

I'm very excited to announce the creative team of professionals helping me put together Yellow the way it should be done. You know, professionally.

Art: Eliseu "Zeu" Gouveia.
This guy's good, y'all. So good, he makes me break into southern colloquialisms. Zeu is onboard to do all the pencils and inks, and he's very enthusiastic about making sure Yellow has just the right look. The sketches I posted here are just a taste of what you can expect. Head over to his DeviantArt gallery to see more.

Colors: Giuseppe Pica.
I'm also proud to have this guy on the team. He's got a real passion for zombies, and I think he's go the range of skills that a comic as complex as Yellow needs. If the title didn't give it away, Yellow is a comic where color plays a very important role. It was vital to me that I find someone who I felt could color well in general, and also have the finesse to handle the challenges that I'm going to hit him with. You can see some of his other work here.

Letters: Ed Brisson
Ed's an excellent letterer with quite a bit of experience. Lettering is no easy feat in itself, but Ed goes the extra mile and preps the artwork for the printer--something that was a major cause of headaches for me when I was one-man-banding the whole thing. For that reason alone I'm glad he agreed to sign on, but he's also talented and that just makes things even better. Here's his page.

And I'm mostly going to be relegated to writing now. I say mostly because I plan to still be heavily involved in the designs and layouts, and I might even be creating some of my own artwork to sneak into the comic here and there.

Again, I can't tell you how excited I am to have this team together. I'm in the process of setting up a preview party to celebrate in late Oct/early Nov with live music, a silent auction (and an extra loud auction, for the seniors in my fan club), prizes, maybe some games, food, uh, a live gorilla why not, a go-kart track... The possibilities are endless.

Anyway, look for an announcement about that party coming soon. Still trying to secure a venue and find out who all will be coming.

And expect the new first issue of Yellow (or at least the first half of it) coming this fall!

Tuesday, August 17, 2010

Worth the wait...

I know it's been a long while since I've posted anything, and for that I apologize. But in the last few months, as my motivation to continue working on "Yellow" has stumbled back and forth like a drunk man trying to decide if he will cross the street for that hot dog or if he doesn't like the way the vendor is eyeing him all suspicious-like, I have made an important leap forward in the progress of the comic.

Soon I will be announcing to you, the World At Large, a new creative team to help make "Yellow" the not-sucky comic it was always destined to be. I've got an artist lined up, but am waiting to secure a colorist. Then I will make the big announcement.

I've already seen some of the sketches and I am practicaly giddy with anticipation.

I hope you are, too.

Monday, June 21, 2010

What's this? NEWS!

Available now on zombietowne.com: Issue #1, "Auld Lang Zombie," for free download. 16 pages of zombies, teen angst, and corporate positioning. Sounds like a blast, right?

Also...

Follow me on Twitter @Zombietowne. (Formerly KSHBbob) Do it! I say funny stuff sometimes!

In other news(?)...
Work has commenced once more on Issue #5, "Feels Like the First Time." I've started over for the third (and final?) time. Look for it to release sometime later this summer. Or early fall. I'll let you know.

Tuesday, April 20, 2010

New Website!

Attention, all Yellowhats. My buddy Josh just finished the overhaul on the website. It's a sight better than the old one, and Josh made the navigation and layout much more user-friendly. Thanks, Josh!

If you have any web projects you need done, Josh is the man to do it. Contact me and I'll pass along your info to him. (Don't want to go giving away his email address to complete strangers, you know. Especially the kind of completely strange people that would be reading this site.)

Look for the next issue of "Yellow" to hit newsstands (aka the website) in late June/early July!

Thursday, April 8, 2010

Commentary is Go!

After a couple of reports from people I consider to be rather intelligent that they were unable to figure out how to post on my blog, I did a wee bit of research. Turns out, it was unnecessarily difficult.

No longer!

I changed the settings on the blog and now you no longer have to be a registered user to post comments. Anyone--and I mean anyone (that includes you) can now post their hatred by simply clicking on the "comments" line on the bottom right of each post.

So just to test that it's working, why don't you leave a comment for me right now?

Go ahead. I'll wait.

Wednesday, April 7, 2010

New Middles

Well, if you read my last post you know that I've decided to start the latest issue over. That's not really as big a deal as it sounds. I hadn't gotten very far...at all.

I wanted to update you and let you know that I've indeed decided to ditch the digital--at least for the time being--and I've just today broken ground on the re-imagining of Issue #5. I'm a little disappointed that the style is going to change in the middle of an "epi
sode" (That's what I'm calling each 3-issue collection.), but we do what we must.

The good news is that I think this change will be for the better. Not only am I going with a different style, inspired in large part by the great Will Eisner, but in going back to pen & ink I'm also switching to using full-size comic board, rather than the piddly 9"x5" sketch paper I had been using for everything so far.

I had been very adamant about
drawing in that small format for so long because I felt it was how I was at my best. The fact of the matter is, though, I think it was a way to keep myself from having to try harder. But when you've done four issues and everyone still tells you your artwork is the weakest element, it's time to just face facts: You need to be better.

And if I'm going to continue to draw "Yellow" on my own, better is someone I have to be.


So I've set up a drafting table in our until-now-unused home office, and I think having a special spot that's all set up just for my comic will (hopefully) go a long way to making the whole creation process less tedious. I can leave everything out when I am done for the day, and pick it up again at a moment's notice when I can steal a few minutes from the day to work on it.

This is theoretically much better than even having the l
ittle sketchpad, which I could carry around with me, because using that meant that I had to also carry around all my pens/pencils/rulers/sharpeners/erasers/etc., and that's just not convenient.

Above: This is my "Wall of Inspiration." From right to left: An awesome zombie by my friend and someday-collaborator D. Ryan Allen; actress Mira Furlan as Daniel Rousseau on LOST, who actually autographed a page of my comic and hopefully will become a regular customer (see previous post); the man himself, Alan Moore--or at least a cool drawing of him, done by S.P. Burke; and a drawing of Frankenstein's Monster by local comic artist Steve Daniels, of Dark Hopper fame (Thanks, Steve!); There's more, and once I get it all officially put up I'll take another photo.

So my goal still stands: At least two more issues done by March 2011. And with the new set up, the new approach, and the new inspiration I believe I can make it happen!

Saturday, April 3, 2010

Will Eisner, Thanks for the inspiration.




Just got done reading the Contract With God trilogy. Eisner is better than I expected. Much better. His stories seem to be very much grounded in reality, but he really does capture emotion and character excellently. I was under the impression for some reason that his comics were very quaint and G-rated. Not so! I don't know why I thought that, exactly, but it probably has something to do with the time period in which they were made. I guess the 40's and 50's just seems like a much more innocent time, and I think of comics like Peanuts and Archie and stuff.

Anyway, I was pleasantly surprised. Moreover, I decided I need to model my drawing style after Eisner's. I know that saying I want to draw like Eisner is like when I said I want to write like Alan Moore. It's obvious, really. But it gives me some direction. I realized after looking at Eisner's stuff that I had been trying to draw my black and white comic as if it were in color, rather than playing to the strengths of the black/white contrast. I don't even need gray tones, frankly. Just pen and paper.

Anyway, it's given me new hope that I can continue to draw this myself. However, it's also a bit depressing because I might have to start my new issue over completely. But I haven't gotten very far anyway. Just finished my first page the other day, and technically it's not even finished. I think I just feel like after so long I should have more to show for myself than...nothing.

Eh. In the long run it won't be a big deal, and it will be worth it if it means I can create a more consistent and respectable style.

So, next step: Ditch the digital and start over!

Wednesday, March 31, 2010

Tweet THIS!

Can't get enough of my dry, almost undetectable wit? Follow me on Twitter. Just search for KSHBob! Then when you find it, click "follow." Then wait for the funny to roll in.

Monday, March 29, 2010

The Big Con

Another year, another successful Planet Comicon.

It was around this time last year that I was wandering around the booths at the Overland Park convention center, wearing my bright yellow "Zombietowne" t-shirt and trying to impress people with my spiral-bound, floppy "Shrinking Universe" trade. I had only a few to give out, and I had to strategically choose my best bets. To other people, I sold t-shirts (or gave them away).

One year later, and so much has changed. Not as much as I'd like, but a little.

I hit up many of the same people I spoke to last year: B. Clay Moore, Daniel Spottswood, Holly Messinger, some tall guy who owns a comic book shop and bought a t-shirt from me to be supportive.

What was great was that most of them remembered me. It helps that I was wearing that same bright yellow t-shirt, so even if they didn't remember me by name they at least knew who I was. It was nice to approach a booth and have the person immediately ask me how my book was coming. I felt almost like one of the gang.

What was even better was that I could show them I had moved up a little in the world. I reached into my bag and pulled out my shiny, professionally printed books and handed them over. I felt much more legitimate, and it was a great ego boost--something I needed at this point in my fledgling career, uncertain if I really had the fortitude to keep going.

As a fan, it was also a very good con.

Actress Mira Furlan was there. She played Danielle Rousseau on my favorite TV show of all time, LOST. (I say "played" because I'm pretty sure she's not going to be in the final season, but we'll see...)

She was a great sport, especially when I asked her for what must've been one of the most unusual autograph requests of her career.

Being the huge LOST fan that I am, it didn't take long into my first issue of "Yellow" that I dropped my first reference to the show. During the introduction to the main character, Quinn Buckley, we hear his high school teacher say

"Continuing our discussion of Enlightenment thinkers, today we'll talk about Jean-Jaques Rousseau. Contrary to what you might think, he was not a crazy woman lost on an island."

Of course, I was referring to Miss Furlan's character (who herself was a reference to the philosopher). I was already excited that she was at the convention, although I had only considered having her sign my copy of the first season of LOST. When I remembered that reference, I became ecstatic.

At the second day of the convention, I approached her with the original page I drew that had that line on it, and asked her to sign it. She understandably wasn't really sure what I was talking about, or what was going on.

"Who is this for?" she said.

"Me. Just me," I replied.

"What are you going to do with it?" she asked.

"Uh, frame it and hang it on my wall for all time," I said back. She laughed and then asked where exactly I wanted it signed. The coolest part was when she stopped as she was starting to write her autograph and looked up and said, "This is really cool." Made my day.

Here's the page with her 'graph:

Photobucket

As a gift, I gave her a t-shirt, which she graciously accepted. And in return, she asked if she could give me a photo of her. I of course said yes, and picked out the coolest one of her as Danielle Rousseau, all dirty and jungle-fied. She signed it and handed it over and that was that. For a while.

Later, when I was getting ready to start thinking about leaving, I came by her table again and held up a copy of my comic.

"Do you have any kids?" I asked.

"Yes," she said.

"Like...over thirteen?"

"Well, eleven."

"My comic is sort of PG-13, with the language."

"Oh, my son is so ready for that. Yeah, he's so ready for that."

So I handed over a copy of "Shrinking Universe" and "Spares." I started to tell her it's about zombies but not really (my usual, awkward, I-Don't-Really-Know-How-To-Summarize pitch). She took one look at the cover of "Spares" and said "Oh, he's going to love this." Then she read the description on the brain jar, and said it again with more emphasis. I think she really meant it. I started to walk away, grinning ear to ear, when I heard her say "This is great." I turned back and she was flipping through the book. "Great use of color," she said. I talked to her about it a little more, briefly, and then left again. I came back a moment later just to let her know that if her son does like it, my contact info was in the back and I'll send him whatever he'd like. I really hope he enjoys it that much. It'd be awesome to have Son-of-Rousseau as a fan!

Also at the con I picked up some LOST action figures, which I'd wanted for a long time. These were all new in the box, and quite reasonably-priced. First it was Charlie, which I got for Emily because that's her favorite character. He was $30, even though Amazon had him listed for $75. After that I went back and bought the other two, Jack and Locke, which were $75 together. (Locke alone, meanwhile, is worth at least $100 in some circles.) All of these figures are from McFarlane Toys, which went bankrupt years ago. They printed two series of LOST figures, and had a third planned. Now, however, no one is making any figures. The guy I bought them from said another company picked up the rights to make toys and has a line of 6-inch figures planned, but as for the McFarlane diorama-style figures I bought--they're already collector's items. I don't know if I'll ever sell them, but I can imagine someday they'll be worth quite a bit of money.

And that's my report from Planet Comicon 2010. Like I said: successful overall. Both as a fan, and as a creator. I don't think I made any new industry contacts per se, but it was a great way to re-energize me and remind me of where I want to be.

My goal for next year is to have my own booth at the con, and to have at least finished my second trade. That only means I have to finish two more issues, including the one I'm currently working on. Two issues in 12 months should be very doable. If I can be partway done with a third by next year's Planet Con, I will be a very happy guy.

Hope to see you there in 2011!

Thursday, March 25, 2010

Robot Rights

I've recently become fascinated (again) with the subject of artificial intelligence, and the future of the technology. Call me crazy, and you probably will, but I often wonder if some of the smart machines we take for granted these days aren't already, on some level, "alive".

After all, many so-called lower organisms, like insects, bacteria--even viruses, for crying out loud--are alive. A virus is barely even complex enough to be called an organism, yet it can apparently think and act of its own accord (or at least according to some internal, pre-programmed drive).

Even people, as apparently complex and sentient as we are, can be boiled down to layer after layer of biological processes. Evolutionist and author Richard Dawkins says we're essentially nothing more than transportation for our genes.

So the next time you turn on your Roomba--full of complex wires and programming--think about it a little bit. Is that little machine, all plastic and metal, really more like a giant, albeit "simple", carpet-cleaning animal? And if so, is it really all that absurd to imagine that at some point someone is going to demand that you treat that animal with respect? After all, there was a time when animals themselves were mistreated regularly, and the thought of "animal rights" was just as absurd as rights for your Roomba.

Think about it.

In the meantime, have a laugh at this paragraph I found in an article on the subject of Robot Rights written in 1985:
By 2010, most new homes will offer a low-cost domestic robot option. This
“homebot” will be a remote-controlled peripheral of a computer brain buried
somewhere in the house. Homebot software will include: (1) applications programs
to make your robot behave as a butler, maid, cook, teacher, sexual companion, or
whatever; and (2) acquired data such as family names, vital statistics and
preferences, a floor map of the house, food and beverage recipes, past family
events, and desired robot personality traits. If a family moves, it would take
its software with it to load into the domestic system at the new house. The new
homebot’s previous mind would be erased and overwritten with the personality of
the family’s old machine.
Funny, right? After your done laughing, become sad, because it only means that in 25 years we'll be looking back at the plans we had today and laughing at how optimistic and naive we were.

For your own unique AI experience, check out Jabberwacky.com. Try to hold a conversation with their resident "chatterbot" and then see if you don't question just what "sentience" really means.

(This post was inspired in part by the guys over at HowStuffWorks.com, who posted an interesting podcast on the subject. Look them up on iTunes and download all the knowledgey goodness.)

Tuesday, March 16, 2010

Comicon Is Nigh

So, I finally looked up the date for Planet Comicon in Overland Park this year...and it turns out it's next weekend. Not this weekend, mind you, but still soon.


Spoiler Alert! I won't have a table there!


Here's a breakdown of the reasons:


1) 50%, I dropped the ball. I could've checked a long time ago and verified exactly when it was, and then been prepared.


2) 50%, I wasn't prepared. I've made hardly any headway in Issue 5 of "Yellow" in the past six months (which incidentally is very depressing). Even if I had a table at the Con this year, I wouldn't have anything new to show off or sell. I suppose I could be working on #5 while I'm there, which might actually be more productive than my usual 1 or 2 hours a month.

Either way, I'm still planning to attend and have a good time. I'll probably be wearing a "Yellow" shirt again, as last year, and hawking copies of the comic to anyone who will listen. (I may even just give them away free this time...)

So come on down, see if you can find me, and support your local comic shop. Buy some junk you don't need why not.

Friday, March 12, 2010

For a Friend

A good man is going through some hard times right now. Topeka's Keith Van Sickle, radio personality, film critic, and comic book fan, has suffered a severe stroke and is laid up in a hospital. As I write this, he's probably about to be prepped for surgery to insert an oxygen hose into his throat.

Keith has been a good friend to my wife for many years, being a reliable and friendly work contact for her and everyone in her office.

As for me, Keith is the man responsible for getting me into the Slash & Bash Horror Film Festival last year with my comic, which was my first public outing with "Yellow." It's because of him that I met so many great people and was invited out to the I-Con in Iowa. Keith was a huge proponent of mine at his film festival, of course, and has continued to support me and expressed interest in even doing an interview with me on his radio show.

This is a picture I made for him, being the comic book nut that he is:



If you want a picture to show your support for Keith, let me know either via email or in the comments section. I won't charge anything, but if you want to make a small donation to pass along to the family that would certainly be appreciated.
(In case you're wondering, his chest and hat say "KVS.")

Monday, March 1, 2010

And now for something...

So what have I been up to you ask? Ever heard of a site called TotallyLooksLike.com? If you haven't, then you might not know that Rachel Maddow totally looks like Will Wheaton from Star Trek TNG, or that a 7-layer burrito from Taco Bell totally looks like a clogged artery. (No joke!)

Well here are a few others you might not have noticed, courtesy of yours truly. I'm pretty proud of them, I must say.

These two should work together...
Luc Besson Totally Looks Like Robert Downey, Jr.
moar funny pictures

I honestly thought they were the same person for the longest time.
Josh Duhamel Totally Looks Like Timothy Olyphant
moar funny pictures

These, too. It was only after Sydney Pollack showed up in an episode of "The Cleaner" a couple of years after his death that I began to suspect something was amiss.
Sydney Pollack Totally Looks Like Steve Landesberg
moar funny pictures

What's sad is that the Olympic skier is still probably the better actor.
Lindsay Vonn Totally Looks Like Malin Akerman
moar funny pictures

Proof that we really are descended from Adamas and Starbuckses? Hmm...
CPSC Logo Totally Looks Like BSG Logo
moar funny pictures

UPDATE! See below for more look-alike joy:

You probably didn't realize how much these guys look alike. Let me educate you...
Ed Norton Totally Looks Like Rob Morrow
moar funny pictures

Just saw Dina Meyer in Starship Troopers, and remembered how much I think she looks like Keri Russell.
Dina Meyer Totally Looks Like Keri Russell
moar funny pictures

Incidentally, I also just saw Dina Meyer in an episode of The Mentalist, with Simon Baker, who I didn't realize totally looks like...
Here's another unexpected. k.d. lang's a pretty manly looking woman. It just so happens there's one girly-looking man she also looks like.
k.d. lang Totally Looks Like Corey Feldman
moar funny pictures

These aren't the best pictures to compare with, but anyone who has seen The Devil's Rejects must surely agree.
Sheri Moon Zombie Totally Looks Like Sheryl Crow
moar funny pictures
(For what it's worth, I think Crow is every bit as good a singer as Zombie is an actress.)

Well now that that's out of my system, maybe I can finally get back to working on the comic. For more, check out TotallyLooksLike. (For another of my favorites, try Comixed.)

Monday, January 25, 2010

The Tablet Has Landed

HELLO, fellow Interneters. Just wanted to let you know that the drawing tablet arrived last week, just as was prophesied. I've been fiddling with it a bit, and it's been much easier to get used to than I expected. The biggest problem I'm running into is working the software properly, but that's not too bad.

I drew the above chicken yesterday for my wife, Emily. She's responsible for the clever title, as after I told her I was done with the chicken she exclaimed, "Chicken accomplished!" After I finished LOLing, I drew the words in. I know it's not a perfect drawing by any means, but I didn't intend it to be. It was just an exercise, and if I had spent more than a few minutes on it I'm sure I could make it look more professional. (I'm sure!)

As for the answer to the inevitable question, "Why a chicken?": Well, it's a character I've been drawing for years now. A lot of times I'll put the chicken in a specific pose or costume or scenario, and add some pseudo-clever title, like "2001: A Space Chicken" behind a chicken in a space suit, or "Congratu-chicken!" behind a baby chicken in a crib (For a new baby, you see? Never mind.) Anyway, if any of you loyal readers would like to commission a chicken from me, let me know. Aside from doing the comic, I'd like to someday launch a line of Chicken-themed products, like t-shirts and postcards, etc. If you have any suggestions, I'm 95% ears. (The other 5% is trans-fat.)

Monday, January 11, 2010

Here Goes Nothing

I've just placed an order via that lovable demon, Amazon.com, for a new Wacom tablet, what with to do my digital drawing.


But what's this? It's not made by Wacom? It's a drawing tablet not made by the world's foremost drawing-tablet manufacturer? How dare you. I mean I.


Well, here's the deal: It's cheaper than the entry-level Wacom Bamboo Fun (no, that's not a bizarre typo), and has a much bigger drawing area. I don't want to get technical here, but...bigger is better.


Of course, it does have downsides. It remains to be seen if said downsides will be a dealbreaker, ladies, but I figured I'd test out the cheaper, bigger product first. If it doesn't work out, I can always return it (hopefully), and get the Bamboo Fun Pen Silver (again, not a typo).


I know this is pretty boring stuff, but, hey, what else am I going to blog about?


Seriously...do you have any suggestions? Have you read any good books lately?


Hello?

Monday, January 4, 2010

Happy Future

IT'S 2010.

No, not two-thousand-ten. What are you, lame? It's twenty-ten. Not only does it sound cooler, but that's how we've been saying the date for, like, a thousand years. Remember when it was 1997? We didn't say it was one-thousand nine-hundred ninety-seven, did we? Well, maybe you.

Personally, I'm glad it's 2010. In sci-fi stories, the cool stuff always happens in twenty-something, not two-thousand something. Okay, unless you count Kubrick and Clarke. Okay, Orwell, too. And that classic TV show, Space: 1999. But other than that! I fully expect to see flying cars and teleportation devices in the next few months.

Anyway, this post wasn't meant to be a rant about how to properly say the date. It was originally meant to be a friendly hello, and an update to let you know that more comics are around the bend. In the next week or so I hope to acquire the necessary technology to allow me to draw Yellow completely digitally, which should speed up the drawing/publishing process significantly.

For all you naysayers who say nay--that making comics digitally is tantamount to cheating at life--well, I say...maybe. Who cares? I'm not looking to hang my stuff in the Louvre; I'm telling a story. If technology helps me tell the story in the most efficient, clear way possible then why wouldn't I use it?

Besides, there are many ways in which drawing digitally still requires talent and skill. Sure, it may be a slightly different skillset than traditional drawing, but it's not like you can push a button and have a program draw your art for you. OK, well, there sort of is that button...but you can only use it after you've drawn it yourself once.

Anyway, I believe that if I can get adept at using the computer to make Yellow from start to finish, the final product will be far better for it. Not only will I be able to complete issues in a more timely fashion, but the artwork will be clearer, crisper, and all-around better-looking. I think you, the reader, will benefit, and I think that the comic will be more marketable for it.

Yes, that's right. I said marketable. Am I doing it for the money? Hardly. Printing is ungoldy expensive, and I've given away more copies than I've sold, by far. All-in-all, the comics industry is not a money-making enterprise. Unless your Marvel or DC, and even then...

But I would like to at least not go broke doing this comic, because if I go broke I can't do it anymore. And then nobody wins. So if that means I have to make my book appealing to comic book stores, and more importantly comic book store customers, then so be it. I apologize for nothing.

Except for that one thing I did back in the third grade. I definitely want to apologize for that. That frog didn't deserve what happened to it, and neither did you, Mrs. Postlewaite.